Overlooked and misunderstood, postpunk gets its due

Library Journal has a cool article about 'post-punk' where the Mats get a mention. But besides that, it's a nice primer for anyone not familiar with the whole scene (for lack of a better word). My only complaint is the heavy use of "greatest hits" packages instead of actual albums. Packages are a decent primer I guess, but usually a lot of the concept and personality of a band/album is lost. The Mats used to cover "I Wanna Destroy You" which is from 'Underwater Moonlight' by The Softboys.

(Library Journal) "..... Public Image Limited - Second Edition 1980
Formed in the aftermath of the Sex Pistols' implosion, PIL was John Lydon's other middle finger. Routinely claiming rock was dead, Lydon tried a new way to mess with our heads. Second Edition transforms the Pistols' blatant revolt into a seemingly stately transfixion of electro-ambient dub beats—almost as if he wanted you to nod off. Repeated listens are required.

R.E.M. - Murmur 1983
Upon its release, Murmur threw everyone for a loop with its murky, almost opaque production. Filled with wondrous sounds and distinctive hooks, it remains one of a kind.

The Replacements - Don't You Know Who I Think I Was? 2006
Regardless of their reputation as indifferent punks, The Replacements' studio records contain some of the more enduring postpunk songwriting save their Minneapolis brethren Hüsker Dü. Every record the 'Mats issued had strong points, and this compilation showcases Paul Westerberg's lyrical gifts.

The Smiths - Singles 1995
The Rosetta stone for emo culture, The Smiths' Morrissey expressed social awkwardness and teen angst as no one before. Here are most of the essential tracks that distill the essence of Morrissey's feelings of inadequacy, his fey crooning and sly sarcasm perfect for the delivery of songs about everything from class struggle to forlorn social isolation and rejection.

The Soft Boys - Underwater Moonlight…And How It Got There 1980
Robyn Hitchcock and friends' finest hour. Ingredients include quirky Syd Barrett–style lyrics, indelible melodies, and sharp songcraft. Add Captain Beefheart idiosyncrasies and stir. Matador's edition adds previously unreleased rehearsal recordings—a must hear for fans (e.g., your patrons)...."

Complete Article Here

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